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Aloud allowed – the Kindle 2, authors and readers

Author: Hoger

The burgeoning brouhaha over the new Kindle’s ability to read text aloud opens up some cool questions and reveals some interesting underlying misconceptions from various parties.

The story so far for those who missed it: Amazon this week re-Kindled its ebook reader and announced some new features including more storage capacity, better screen contrast, round keys and a text-to-speech feature.

It’s this last ‘new’ feature that’s causing all the grief (mind you – round keys! Seriously? That’s outrageous)

Some small publishers are concerned about how it impacts on rights issues and what that may mean for author payments. But the biggest noise is being made by the Authors Guild, which is insisting the text-to-speech functions not just infringes audio rights but is essentially the same thing.

The Wall Street Journal reports that Authors Guild executive director Paul Aiken  said: “They don’t have the right to read a book out loud. That’s an audio right, which is derivative under copyright law.”

Text-to-speech is a transient form – not a recording. It’s no more a breach of an author’s copyright than reading a work aloud to yourself is. It is not derivative unless someone broadcasts the audio or records it (I’ll save format shifting arguments for another time).

And the technology already exists. Windows will do it for you already with many ebooks and there’s plenty of places on the web that will as well. If you’re keen to hear Mr Aiken’s quote in all its auditory glory, check it out here.

I remember convincing my three-year-old nephew once that there was a little man living in my speakers because he used to talk to him after I typed some text into my computer. That would have been in about 1992. This ain’t nothing new folks.

I’ve often tried to win debates by arguing a more outlandish case and have someone argue me back towards my desired (and more reasonable) point. But The Authors Guild has a long way to go given they first have to be argued from wrong to silly before they can meaningfully engage.

As a reader, I think it’s a great idea. It means I can put my book down for a few minutes and stay with the story the story.

As an author, I think it’s a great idea. it means my readers can put the book down for a few minutes and stay with the story. 

Wouldn’t this be a great tool to add to WordPress or LJ?

One defence many supporters are offering that doesn’t fly with me is that it shouldn’t matter anyway because the quality of the computerised reading voice is so poor it doesn’t come close to replicating the experience of a trained voice actor read an audio book. The quality of the computerised voice is poor. But it won’t be forever. Check out the audio of the Aiken quote that I had the website create for me. It’s not Orson Welles or Morgan Freeman but it’s actually not too bad. And it will get better, much better, over time.

To me though, it’s just another example of why authors should work hard to understand themselves and their work as a platform. It can be confusing stuff but the publishing world is changing and authors need to engage with this stuff any more.

On a final note turns out science fiction author Fred Pohl is on a Guild advisory council. Fred’s a smart guy. Maybe he could knock their heads together a bit.  You out there, Fred?

Tags: ebooks, Kindle, rights
February 11th, 2009  |  Posted in Publishing, e-books  |  No Comments »

The Meyer Imperative

Author: Hoger

Ever noticed how later books in a wildy popular series rapidly balloon in length? You’re not alone. I’m not the first – far from it – and won’t be the last to comment on the increasing length of books in series such as Twilight and Harry Potter.

But I thought it might be worth putting some rigour – ie numbers – around some of the assumptions. So I wheeled out my trusty version of Excel and decided to put its graphing abilities to good use. I wanted to see how rapid the rise (or fall) in page length was over the course of novel series that became suddenly successful.

The four series I chose to graph were:

  • Twilight – Stephenie Meyer
  • Harry Potter – J. K. Rowling
  • the Mars Trilogy – Kim Stanley Robinson
  • Lord of the Rings – J. R. R Tolkien

Here’s what the results look like.

I included the last two as controls (and because, you know, they were close to hand). I considered including Asimov’s Foundation books as another (of which there are seven, not including his expanded Empire and Robot series and novels written by other authors). But for the record, Foundation, first published in 1951 in book form totalled 255 pages. The last in the series was Forward the Foundation, which was published 42 years later and came in at 464 pages.

All comparisons are between consistent editions.

For the record:

  • the first Twilight book was 434 pages and the last was 736
  • the first Harry Potter book was 223 pages and the last was 607 (book five peaked at 766 pages
  • the first Mars book was 519 pages and the last was 609.
  • the first Lord of the Rings book was 427 pages and the last 416

But here’s where it gets tricky – and probably why the post is titled the Meyer Imperative rather than the Potter Principle. Rowling pulled back on the length of books six and seven. So to adequatelty compare we need to plot all series as if they went to seven books. Enter Excel.

 

At seven books apiece the last Harry Potter book was 2.7 times the length of the first one. But if the Twilight series had continued in the same pattern, a seventh book in the series would have come in at whopping 1306 pages. And that length would have made in a smidgen over 3 times the lenth of the first book.  A seventh Mars book (Muave Mars, anyone?) would have only clocked in at 828 pages.

So, ladies and gentlemen, we have a winner.

But what’s it all mean, I hear you ask. Who knows? I suspect that publishers who find they’ve got a massive hit on their hands let writers have a freer hand – not necessarily to keep them happy but more likely I suspect to get the product to market faster.

And it isn’t by definition a comment on quality – and certainly I haven’t read the Twilight books – but it will be interesting to see what happens with the next series from Rowling and Meyer, whether they’re a success or not quite so much. And what that means for lengthas the series progress.

Tags: authors, Meyer Imperative
January 20th, 2009  |  Posted in Publishing, Reading  |  2 Comments »

End of the road for Year’s Best Fantasy & Horror

Author: Hoger

Sad news from Kelly Link and Gavin Grant. The Year’s Best Fantasy and Horror has been cancelled. St Martin’s won’t do any more collections, meaning the anthology edited by Kelly and Gavin, and Ellen Datlow is no more. They are three great editors who have worked hard to put together wonderful collections.

I suspect we’ll see a few more year’s bests pop up in its place but they’ll be from smaller publishers making for an even more fragmented market.

Tags: Year's best
January 13th, 2009  |  Posted in Publishing, Reading  |  No Comments »

Welcome to 2009

Author: Hoger

Happy New Year to one and all. Welcome to 2009 – the year I get stuff done.

Tags: 2009
January 1st, 2009  |  Posted in Misc  |  No Comments »

Aurealis Awards shortlist

Author: Hoger

The Aurealis Awards team has announced the finalists for 2008. For the first time it includes categories for best collection and best anthology. Some great nominations in there, with a fine representation of Clarion South alumni.

Best Science Fiction Novel

  • K A Bedford, Time Machines Repaired While-U-Wait, Edge Science Fiction and Fantasy Publishing
  • Marianne de Pierres, Chaos Space, Book Two of the Sentients of Orion, Orbit
  • Simon Haynes, Hal Spacejock: No Free Lunch, Fremantle Arts Centre Press
  • Kim Westwood, The Daughters of Moab, HarperVoyager
  • Sean Williams, Earth Ascendant, Astropolis Book Two, Orbit

 

Best Science Fiction Short Story

  • Simon Brown, ‘The Empire’, Dreaming Again, HarperVoyager
  • Nathan Burrage, ‘Black and Bitter, Thanks’, The Workers’ Paradise, Ticonderoga Publications
  • Trent Jamieson, ‘Delivery’, Cosmos, #21
  • Margo Lanagan, ‘The Fifth Star in the Southern Cross’, Dreaming Again, HarperVoyager
  • Tansy Rayner Roberts, ‘Fleshy’, 2012, Twelfth Planet Press

 

Best Fantasy Novel

  • Alison Goodman, The Two Pearls of Wisdom, HarperCollins
  • Sylvia Kelso, Amberlight, Juno Books
  • Margo Lanagan, Tender Morsels, Allen & Unwin
  • Juliet Marillier, Heir to Sevenwaters, Macmillan Australia
  • Karen Miller, The Riven Kingdom, Godspeaker Book Two, HarperVoyager

 

Best Fantasy Short Story

  • Thoraiya Dyer, ‘Night Heron’s Curse’, Andromeda Spaceways Inflight Magazine, #37
  • Karen Maric, ‘The Last Deflowerer’, Andromeda Spaceways Inflight Magazine, #32
  • Angela Slatter, ‘Dresses, Three’, Shimmer, Vol 2 #4
  • Cat Sparks, ‘Sammarynda Deep’, Paper Cities, Senses 5 Press
  • Kim Westwood, ‘Nightship’, Dreaming Again, HarperVoyager

 

Best Horror Novel

  • Jack Dann, The Economy of Light, PS Publishing
  • Nick Gadd, Ghostlines, Scribe Publications
  • John Harwood, The Séance, Jonathan Cape

 

Best Horror Short Story

  • Lee Battersby, ‘In From the Snow’, Dreaming Again, HarperVoyager
  • Deborah Biancotti, ‘Pale Dark Soldier’, Midnight Echo, #1
  • Trent Jamieson, ‘Day Boy’, Murky Depths, #4
  • Kirstyn McDermott, ‘Painlessness’, Greatest Uncommon Denominator (GUD), #2
  • Ian McHugh, ‘Bitter Dreams’, L Ron Hubbard Presents Writers of the Future, Vol XXIV

 

Best Anthology

  • Bill Congreve & Michelle Marquardt (editors), The Year’s Best Australian Fantasy and Science Fiction, MirrorDanse Books
  • Jack Dann (editor), Dreaming Again, HarperVoyager
  • Jonathan Strahan (editor), The Starry Rift, Viking Children’s Books

 

Best Collection

  • Magic Dirt: The Best of Sean Williams, Russell B Farr (editor), Ticonderoga Publications
  • Robert Hood, Creeping in Reptile Flesh, Altair Australia Books

 

Best Illustrated Book/Graphic Novel

  • Steve Hunt & David Richardson, The Cloudchasers, ABC Books
  • Shaun Tan, Tales from Outer Suburbia, Allen & Unwin
  • Colin Thompson, The Floods Family Files, Random House Australia
  • Julie Watts, The Art of Graeme Base, Penguin/Viking

 

Best Young Adult Long Fiction

  • Isobelle Carmody, The Stone Key, Obernewtyn Chronicles, Volume Five, Penguin/Viking
  • David Cornish, Lamplighter, Monster Blood Tattoo Book Two, Omnibus Books
  • Alison Goodman, The Two Pearls of Wisdom, HarperCollins
  • Melina Marchetta, Finnikin of the Rock, Penguin/Viking
  • Sean Williams, The Changeling, The Changeling series book one, Angus & Robertson

 

Best Young Adult Short Fiction

  • Deborah Biancotti, ‘The Tailor of Time’, Clockwork Phoenix, Norilana Books
  • Dirk Flinthart, ‘This Is Not My Story’, Andromeda Spaceways Inflight Magazine, #37
  • Trent Jamieson, ‘Cracks’, Shiny, #2
  • Kevin McLean, ‘Eye of the Beholder’, Misspelled, DAW Books

 

Best Children’s (8-12 Years) Long Fiction

  • Simon Higgins, Moonshadow, Eye of the Beast, Random House Australia
  • Sophie Masson, Thomas Trew and the Island of Ghosts, Hodder Children’s
  • Emily Rodda, The Wizard of Rondo, Omnibus Books
  • Carole Wilkinson, Dragon Dawn, Black Dog Books
  • Sean Williams, The Changeling and The Dust Devils, The Changeling series books one and two, Angus & Robertson

 

Best Children’s (8-12 Years) Illustrated Work/Picture Book

  • Anna Fienberg, Barbara Fienberg & Kim Gamble, Tashi and the Phoenix, Allen & Unwin
  • Richard Harland & Laura Peterson (illustrator), Escape!, Under Siege, Race to the Ruins, The Heavy Crown, The Wolf Kingdom series, Omnibus Books
  • Ian Irvine & David Cornish (illustrator), Thorn Castle, Giant’s Lair, Black Crypt, Wizardry Crag, The Sorcerer’s Tower series, Omnibus Books
  • Sally Morgan with Ezekiel, Ambelin and Blaze Kwaymullina & Adam Hill (illustrator), Curly and the Fent, Random House Australia
  • Richard Tulloch & Terry Denton (illustrator), Twisted Tales, Random House Australia

Winners announced in Brisbane on January 24, 2009. See you there.

Tags: Aurealis Awards, Clarion South
December 8th, 2008  |  Posted in Publishing  |  No Comments »

Austen to Austen, Dust to Dust

Author: Hoger

You know you’ve really made it as an author when fans start leaving their ashes in the gardens surrounding your museum.

News sites are reporting that the Jane Austen House Museum is so distressed by people leaving the ashes of loved ones in their garden, they’ve written to fans of the author asking them to stop.

Says the museum’s collections manager Louise West: “While we understand many admirers of Jane Austen would love to have ashes laid here, it is something we do not allow. It is distressing for visitors to see mounds of human ash, particularly so for our gardener. On three or four occasions, our gardener Celia Simpson has found piles of human ash placed in the garden secretly.”

Wonder if anyone was cremated with a copy of Pride and Prejudice?

Photo: Mark Hillary

Tags: death, weird, writing
December 1st, 2008  |  Posted in Uncategorized  |  2 Comments »

Of cars and writing groups

Author: Hoger

No one is surprised that few short stories or novels will be ready to go right from first draft. One way writers can help improve their work is to put it in front of a writing group for feedback. As well as offering critiques, writing groups can help with networking, market tips and plain old-fashioned friendship.

Brisbane has the best open speculative fiction writing group in Australia. It’s called Vision and has helped nurture writers such as Trent Jamieson, Marianne de Pierres, Grace Dugan, Dirk Flinthart, Jason Nahrung, Cory Daniels and others.

I learnt a lot from Vision and wanted to share some of my thoughts about what makes a good writing group. First off, the car thing. Writing groups are like cars for a number of reasons:

  • They’re very useful in modern publishing.
  • They will help you get places faster
  • You’ll pick up some friends along the way
  • Just make sure you don’t choose a lemon

So, how do you choose a good writing group? Let’s be honest though – working out whether a writing group is the right one for you comes mostly down to gut. But here are three simple rules that may help you work things out faster.

Rule one: If others don’t take their writing seriously they probably won’t take your writing seriously either. The single best way to ascertain how serious others are about their writing is to ask a few simple questions:

  • How many people have published something in the last six months?
  • How many people have submitted something out in the last six weeks?
  • How many people have started or finished something in the last six days?
  • How many people have done any writing in the last six hours?

If the answer to all of those questions is ‘none’ you may want to reconsider participation in that group. Having people who don’t treat their writing as a ‘hobby that they’ll get around to some time’ is even more important than having people writing in the same genre as you.

Rule two: The only thing that sport and critique groups should have in common is that they should both be governed by a set of rules.

  • Critiquing isn’t a performance sport and it’s not debating
  • It shouldn’t be about stroking one person’s ego
  • Should be a clear set of rules about the critiquing process

A writing group should operate in a civilized and consistent manner. It should give all members a good opportunity to participate and it should have checks and balances that stop one person dominating.

Rule three: When the critique group outgrows its usefulness to you, move on.

Humans are social creatures and belonging to a tribe is important. It’s even more vital for writers who spend much of their time tapping away in solitude. So, if the time comes that you’re not getting much from the core work of the group, maybe it’s time to move on. When it’s time to move on, move on. Just think about how you can pay it forward.

They are some of my quick thoughts. Anyone else have any suggestions or experiences – good or bad?

Tags: writing, writing groups
November 30th, 2008  |  Posted in Publishing  |  5 Comments »

By the Numbers

Author: Hoger

Author Sean Williams has a great little post on his blog packed with info about the financial life of authors.

Williams has handy pie charts on his expenses, income source and income breakdown which give great examples of the business side of being a fulltime writer that you don’t hear enough about. He’s also got a graph showing fluctiuations in writing income over two decades.

Check it out.

Tags: business, Publishing, writing
November 27th, 2008  |  Posted in Publishing  |  2 Comments »

Vatican forgives John Lennon; Google proves him wrong

Author: Hoger

The Vatican appears to have forgiven The Beatles – and specifically John Lennon – for his comment 42 years ago that the band was “more popular than Jesus.”

The latest edition of L’Osservatore Romano praises the band’s White Album and puts Lennon’s comment down to the boasting of a working class English kid dealing with a rapid rise to fame. The official Vatican newspaper then goes on to praise The Beatles’ music and continuing pop influence.

There’s some talk that the Vatican’s engagement with popular culture issues like this is an effort to shake off a stuffy image but I think this change of heart has more to do with the fact they can safely forgive Lennon knowing that Google has proven him wrong.

Just look at the number of hits on Google when you do the relevant searches:

  • The Beatles: 70.3 million
  • Jesus: 209 million
  • John Lennon: 16.1 million.

The Lennon case doesn’t hold up. The Google Standard clearly shows Jesus is more popular than The Beatles.

But the band can take some solace. The Beatles are roughly twice as popular as the Pope who only pulls in 37.8 million hits.

Tags: google, pop culture
November 22nd, 2008  |  Posted in Misc  |  2 Comments »

The biggest button of all

Author: Hoger

In February 1962 John Glenn became the the first US astronaut to go into orbit. His Mercury 6 capsule is on display in the National Air and Space Museum and this photo I took of it is my current favourite from my whole trip.

I like that even behind the perspex designed to protect the capsule you can see the designer’s clear priorities based on the jolly big ABORT button within easy reach.

The capsule Yuri Gagarin had used the year before to become the first human in space was designed to have him eject following re-entry and parachute his way back to Earth. A handy design feature that doubled as a built in abort button. Smart but kinda takes the fun out of it, don’t you think?

Tags: space
November 20th, 2008  |  Posted in Technology  |  No Comments »

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