Chuck Palahniuk’s Pygmy is a great book. Random House not so good on the e-book basics though.

He makes a number of points in the article that are worth looking at one by one.

Incumbents made bad revolutionaries
His argument here seems to be that Apple is more interested in using the great technical features of the iPad to either restrict its use or find a way to make people pay for it.

The example he uses is the Marvel iPad comic app. The argument is the app – and by extension the iPad – is bad because, for example, you can’t lend someone else your comic. Put aside the fact that it’s really an anti-DRM rant (which I mostly agree with) he forgets one simple thing. The device actually makes it extraordinarily easy to lend someone your comic – hand them your iPad. It is in this way exactly as easy to lend someone a comic on your iPad as it is with a physical comic book.

And if Apple gets this right, they’ll help craft – or at least speed up – the development of a whole new computing and media model - tablet computing.

That leads nicely into the next argument…

Infantilizing hardware
Tonight I had leftover pizza for tea. I heated it in the microwave and then put it under the grill for a minute to crisp it up. I punched some buttons on the microwave and it did what it needed to do – help me consume my dinner. I don’t need to be able to take it apart, repait it and install Linux on it. I just need it to work – like my television, my bed and my table.

But Cory’s argument here seems to suggest that if I’m only using a device to consume something I’m somewhat less likely to survive in the brave new world of the 21st century than someone who can take a device apart and put it back  together.

I can enjoy consuming a book even if I don’t know how to pull the spine off, reorder the pages and put it back together again. It  should be okay that not everyone wants to take everything apart all the time.

Boing Boing is a site supported by ad revenue. I bet there’s a strong correlation between the rates for those adverts and the number of people simply consuming the site – page hits or unique visitors. I hope the number of people actively interacting with the site by adding comments also factors in there but I doubt simple consumers of the site take a back seat when it’s time to crunch the numbers.

Wal-Martization of the software channel
According to Wikipedia there are around 150,000  third-party applications in the App Store. If Apple was the only computer maker in a regulated market I’d be more likely to accept the claim that “the iStore lock-in doesn’t make life better for Apple’s customers or Apple’s developers.”

But again this is an anti-DRM argument, that’s not (or shouldn’t be) restricted to the iPad. Clearly developers and customers aren’t stupid. That’s why more than three billion downloads have been made from the App Store.

The Wal-Mart analogy is a bad one too – at least on one level. The development of the iPod Touch, the iPhone and now the iPad has not seen a massive takeover of an existing market, it’s fostering a massive expansion of a new, previously small market.

Journalism is looking for a daddy figure
It’s not the device’s fault if journalists and bloggers get sucked into the spin from Apple’s marketing team. Indeed, arguing that Rupert Murdoch is silly because he thinks putting up a pay-wall will save his newspaper empire in the long-run should not be confined to discussion about the iPad.

Gadgets come and gadgets go
I’ve got some sympathy for the argument that “the real issue isn’t the capabilities of the piece of plastic you unwrap today, but the technical and social infrastructure that accompanies it.” But that’s the real crux of the whole post. Until he gets to here, Cory seems to be arguing that the iPad can’t won’t and shouldn’t change things. But here, he pretty much gives up the ghost and you almost get the sense that he knows it will.

 

The GBS represents a new stage in the evolution of the publishing industry. It offers a glimpse of what bookstores might become in the mature Information Age: A hybrid library/storefront whose job is to preserve and monetize books. It will be difficult to balance the public good of libraries with the free market of the bookstore.

Check it out here.

A quick preview of some of Penguin’s plans for books on the iPad. Shiny!

It’s followed by a less shiny but more interesting talk from Penguin CEO John Makinson about how publishers will become more relevant, not less, and how they’ll be taking a giant leap into a distribution model that lets them play around with pricing and access a lot more consumer data. You can see that video over at PaidContent.org.

Best Novel
Mirror Space, Marianne de Pierres, Orbit

Best Novella
Horn, Peter M. Ball, Twelfth Planet Press
Wives, Paul Haines, Cour de Lion

Best Novelette
Sister, Sister, Strange Tales III, Angela Slatter, Tartarus Press
Inevitable, The New Space Opera 2, Sean Williams, Harper Collins

Best Graphic Story
Scarygirl, Nathan Jurevicius, Allen and Unwin

Best Dramatic Presentation, Long Form
District 9
Moon

Best Dramatic Presentation, Short Form
Caprica Pilot, SyFy

Best Editor, Short Form
Jonathan Strahan
Ellen Datlow
Keith Stevenson

Best Editor, Long Form
Stephanie Smith
Zoe Walton
Bernadette Foley
David G Hartwell

Best Semiprozine
Andromeda Spaceways Inflight Magazine

Best Fan Writer
Bill Wright, Interstellar Ramjet Scoop

Best Fanzine
A Writer Goes on a Journey

Best Fan Artist
Andrew McKiernan

John W. Campbell Award
Angela Slatter
Peter M Ball
Lezli Robyn

I know there are some international nominations in there but I won’t tell anyone if you don’t.

If you haven’t already, get out there and nominate!

The story so far, for those who’ve missed it: The Hugo Awards are coming to Australia courtesy of Aussiecon 4. Here’s our chance to help some of our best authors get their best work recognised by getting them nominated for an award.

It’s a pretty simple idea – get out there and nominate your favourite Aussie, writers, works, editors and fans.

But the numbers remain stacked against us.

As of January 1, there were 352 Australians registered and eligible to nominate for the Hugos. A healthy number, yes. But a very small one when compared to the 856 Americans eligible to nominate. And breaking those numbers down further says a bit more about why it’s important we get out there and nominate. Of those 856 Americans, 388 are “supporting” members – ie people who are unlikely to attend the convention but have paid a fee to get regular updates and to be eligible to vote in the Hugos. On top of that, add all the members of last year’s Worldcon, held in Montreal, who are also eligible to nominate and vote in the awards this year.

It’s perfectly understandable that US readers have less exposure than locals to great Australian speculative fiction. But if you think local works and authors deserve recognition; if you think it’s possible to make a difference and if you think it’s important to try then check out the Aussiecon 4 website for nomination details. And if you’re Facebook inclined, log in and join the conversation here.

People, it’s time we made the John W Campbell Award into more than just award for new writing talent from North America.

The John W Campbell Award for Best New Writer has been awarded 37 times since it started in 1973. Of those 37 awards, 36 have been awarded to authors from North America. One has gone to an author from the UK – Jeff Noon. Not once has it gone to an Australian, a Kiwi, a South African, a Japanese writer or anyone else. It has only ever been awarded to residents of three countries – the USA, Canada, and England.

Think of the great Australian genre authors starting their careers that we missed out on recognising: Margo Lanagan, Garth Nix, Sean Williams, Greg Egan, Isobelle Carmody and heaps of others.

This is not the fault of the organisers. They run a good award that has drawn attention to some great new talent. It’s our responsibility as a local community.

This photo, from Patick Nielsen Hayden, isn’t a picture of the award. It shows Jay Lake holding a pin Jay is distributing to all previous nominees. At a quick glance it looks like there’s only one (for Kirsten Bishop) of these exquisite creations in Australian hands (or on lapels).

Local writers aren’t even getting nominated. But with Worldcon coming to Melbourne, we’ve got a chance to make amends and focus some attention on some of our best new local writers.

My list of nominations for the John W. Campbell Award for Best New Writer will include:

• Angela Slatter
• Peter M. Ball
• Lezli Robyn
• Jason Fischer

I’ve read a heap of work from each of these writers and I’m very confident they’ll all go a long way.

Nominations close March 13. You can find out more at the Aussiecon 4 website.

Photo by Patrick Nielsen Hayden used under Creative Commons licence.

Interviews and recommendations will be appearing on these blogs from tomorrow:
http://random-alex.livejournal.com/
http://girliejones.livejournal.com/
http://kathrynlinge.livejournal.com/
http://www.mechanicalcat.net/rachel
http://tansyrr.com/
http://editormum.livejournal.com/

Looking forward to seeing further discussion of what we should be nominating. Don’t forget, nominations close in a month.

Well you can’t buy a device, there are no e-books on sale through the app store and it was only announced three days ago but as predicted Apple’s iPad has already shaken up digital publishing.

On Friday Amazon removed all books by publisher Macmillan – physical and digital – in a move industry insiders say is the culmination of an ongoing dispute over the price the retailing giant was charging customers for e-books on the Kindle. Macmillan wanted to set its own price (around $15) for e-books but Amazon had them locked in at a maximum of $9.99. That disagreement means you can’t currently buy any books from one of the world’s biggest publishers directly from Amazon.

Funnily enough Macmillan is one of the big publishers signing up to the Apple e-book store right from the start. And what’s the price Apple is letting Macmillan charge for an e-book? The magical $15.

While the New York Times rightly says there may be some anti-trust issues if Macmillan’s books went on sale through one of the stores and not the other, there’s still a bit over a month before Apple’s e-book store opens for business. My guess is that it’s Macmillan flexing its muscle now there’s another giant player in the market. Plenty of time for further negotiations.

I’m even more convinced now that the iPad as an e-book reader is a fifth order issue when it comes to digital publishing. All the uber-geeks are complaining because it doesn’t do this or it doesn’t do that. But this device is not designed to replace your laptop. It’s a device to let you consume digital media easily. And it does that well. I’m sure it will make a very good e-book reader but we’ve got plenty of them already.

While it could be months (or years) before Australians will be able to buy e-books from Apple, the impact across the digital publishing industry is likely to be felt much sooner.

But the interesting news is what it means for the e-book market.

The iPad introduces a new app called iBooks which links with a dedicated e-bookstore called iBookstore (enough with the “i”s already). It supports ePub as its native format! Apple adopting an industry standard is almost unheard of and it will be interesting to see if Apple allows access to ePub books bought for Stanza (or someone adds this functionality through a hack). They already have in place agreements with major publishers such as Penguin, HarperCollins, Simon & Schuster, Macmillan, and Hachette.

But the device is not the issue – Apple entering the e-book trade is. These developments – support for e-Pub and Apple having a dedicated e-bookstore will mean a lot for the business. If only we could convince them to open the store up to non-Apple devices. 

What it will mean for the Kindle, who knows at this stage. But it’s 2.5 times heavier, thicker and larger, has a shorter battery life and there’s still that backlit LCD screen. I don’t think it’s a Kindle-killer. But that doesn’t mean it’s not a big leap for e-publishing.